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| Mamta Herland
Address: Hiltonåsen 109, Slependen, Norway Phone: + 47 67 54 71 23
Specialty Painter
Biography Mamta Baruah Herland is an Indian born, Norwegian artist who lives and works in Norway. She has studied Visual Arts at Sydney college of Arts in Australia, Graphic design in Oslo, Norway and Fine Art-painting at Winchester School of Art in England.
Her recent digital work focuses invoking links between technology and emotion, reality and dreams, rationality and magic. The images intend to highlight the move from the old logic of rationality to a utopian dream society. They consists of elements from different art form and is a synthesis of different media.
The images are based on a growing collection of Mamta’s own photographs, paintings, prints and other form of work created in various media. The images being digitized and manipulated to compose and create unconventional digital hybrids that transcends the basic works into a new original.
Mamta’s work might be thought of as disassociating known subject relationships and re-associating them in new ways is the artistic thread that Mamta have developed throughout her work. Mamta believes that there is a harmonious relationship between medium and cognition. By employing digital techniques her intent is for the artworks to evoke a sense of captivation and mysticism.
Mamta’s work is in private and public collections in several countries, and her work has been exhibited in Norway, England, Spain and the U
Statement Between reality and dream
Invoking links between technology and emotion, reality and dreams, rationality and magic, my images intend to highlight the move from the old logic of rationality to a utopian dream society. The works consists of elements from different art form and can considered as a synthesis of different media.
It is based on a growing collection of my own photographs, paintings, prints and other form of work created in various media. I digitise, manipulate, extract elements and compose them to create unconventional digital hybrid images, which transcend the original work. The resulting images say something about these images beyond what is there.
Besides exploration and investigation of the possible development of newer contexts and aesthetics, the digital hybrid images also experiments with the interplay between the simultaneous experience of image and object, as viewers might experience them. They explore issues of subjective space through a dialogue between dimensional analogies and idea of an object in one dimension being the shadow of an object in another dimension.
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It might be thought of as disassociating known subject relationships and re-associating them in new ways is the artistic thread that I have developed throughout my work. I like to think that there is a harmonious relationship between medium and cognition. By employing digital techniques my intent is for the artworks to evoke a sense of captivation and mysticism.
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